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Nas 'Ether' Royalties Good on TikTok ... Producer Ron Browz Says IG, X Gotta Buck Up!!!

Ron Browz's name is etched in rap history for producing Nas' brutal Jay-Z diss track "Ether," and more than 20 years later he's still collecting residuals ... at least, on some social platforms, but he says others are robbing him blind!!!

TMZ Hip Hop sat down with "Etherboy" this week after his beat was used TWICE to highlight 2 of the biggest moments of the week on the internet ... both of which involved lots of "Ether" level disrespect.

The first was Katt Williams' "Club Shay Shay" interview where he mentioned virtually every comedian in his lane -- and the second came with Stephen A. Smith's hour-long flogging of Jason Whitlock.

The internet -- undefeated, as it is -- seized the moment and put the Ron-produced track over Katt and Stephen's highlights. That's not great for Ron, because he says if those posts aren't on TikTok or YouTube, which track music, then he's ass out ... and has no clue how much money he's missing.

He says the powers that be at other social platforms have yet to creat their royalty road map.

Why does the Ether instrumental make this even better 🤣🤣🤣 pic.twitter.com/fM7dUCIMxk

— KillaSZNKam (@KillaSZNKam) January 10, 2024

BTW, there's an interesting backstory on the making of the track -- Ron says the aggressive DNA of the song came from him desperately looking for a way out of his Harlem hood, and had the coin flipped on the other side, the instrumental could've belonged to Jay!!!

Ron says he passed the beat, and several others, to Jay's A&R at the time, Kyambo "Hip Hop" Joshua, but it never fell into Hov's lap.

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"Ether" is not the only instrumental RB produced that morphed into a problematic track ... Busta Rhymes' 2008 hit "Arab Money" can easily be misconstrued for bigotry, especially in the current social media landscape.

Nah why did we let these niggas get away with this😭 https://t.co/X8wXbRsQzX pic.twitter.com/AQgVe0bpgy

— JIREH 🏆 (@jirehpc) December 8, 2023

Ron says he was simply inspired by the Arabic music playing inside NYC bodegas and added his 1uto-tuned twist to the hook.

However, it includes a recanting of the Islamic Shahada -- a profession of faith -- and that almost got Busta in hot water, and Ron too when he got booked for a Dubai gig ... but he swears the track is all positive.

Despite both beats taking a life of their own, Ron tells us his fav track he did was actually "Pop Champagne" with Jim Jones and Juelz Santana.

Harlem, stand up!!!

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